African art has been an integral part of the Neuberger Museum of Art since it opened in 1974. In 1999, the collection almost doubled in size with the major gift of 153 works from the collection of the late Lawrence Gussman, a notable collector and a resident of Scarsdale, New York.
Lawrence Gussman’s interest in Africa began in 1957 when he met Dr. Albert Schweitzer at his hospital in Labaréné (Gabon). This first encounter sparked a friendship between them that endured until Schweitzer’s death in 1965.
Also sharing Dr. Schweitzer’s strong belief in humanitarian aid, Gussman and his wife returned each year to work at Dr. Schweitzer’s hospital. They both went for over thirty years. It was in Gabon that Gussman’s fascination with the art of Central Africa began; yet despite his annual trips to Gabon, he collected only in Europe and the United States, primarily through auction houses, dealers, and other collectors (more information on Lawrence Gussman ).
Thus, the African collection at the Neuberger Museum of Art is strongest in the arts of central Africa. Major objects, however, span a broad geographic range from Mali to Mozambique, offering artistic insights into over thirty cultures.
Only a small portion of the collection was on view until October 12, 2007 when the Neuberger Museum of Art opened its brilliantly refurbished gallery and vastly expanded the number of objects on view from thirty-five to eighty-two.
Photo: Jim Frank
Some of the splendid objects in the collection and included on this website are:
•a Ci-Wara headdress from the Bamana peoples in Mali
•a Bangwa commemorative female figure from Cameroon recently attributed to the carver Ateu Atsa and a Dan figure from Liberia/Côte d'Ivoire attributed to the famous carver Zlan
•a stylistically delicate janus-face Mende mask from Sierra Leone
•a Tsogo/Lumbo harp, among the only anthropomorphic harp known so far in an American museum
•a large figure from the Bembe peoples (Congo) generally recognized for their artistic mastery in miniature
The collection is also distinguished by two powerful examples of Fang reliquary Guardian Figures (Gabon) that contrast both in form and style.
Three important sculptures and an object of adornment have recently been added to the collection: a rare Dogon shutter (Mali) depicting a lizard surrounded by eight figures, a Mumuye figure (Nigeria) displaying bold angular volumes, an exceptional eroded wooden Senufo figure (Mali/Côte d'Ivoire) and a Zulu hat (South Africa) distinguished by its dramatically flared shape.
This website was made possible through the generosity of the Verizon Foundation.
The African website was conceived and realized at the Neuberger Museum of Art by:
Anne Bradner, Former Deputy Director
Marie-Thérèse Brincard, African Art Consultant
Kristi McKee, Marketing Manager
Special thanks to:
Marie-Thérèse Brincard: Curatorial Content
Kristi McKee: Project Management
Cosmos Communications: Site Design and Hosting
Jim Frank and Paul Mutino: Photography
Paul Mutino: 360-degree object spins
Kristen Windmuller: Curatorial Intern, Maps and Object Research
Also thanks to:
William Siegman, formerly Curator, Arts of Africa and the Pacific Islands, Brooklyn Museum of Art
Amy Staples, Eliot Elisofon Archives
Margot Nassau, Smithsonian Folkways Recording
Margaret Thompson-Drewal and Henry John Drewal: Video Segments
African Site last updated: December 2008
SELECTED BIBLIOGRAPHY
Bickford, Kathleen E. "Art of the Western Sudan." Museum Studies,
Volume 23, No. 2: African Art at The Art Institute of Chicago .
Chicago: The Art Institute of Chicago, 1997.
Binkley, David. Personal communication to Marie-Thérèse Brincard,
Neuberger Museum of Art. (October 2007).
Brincard, Marie-Thérèse, ed. Sounding Forms: African Musical Instruments .
New York: American Federation of Arts, 1989.
Burgunder, Lillian Maria “Man is like Palm Wine: A Kuba cup.” See the
Dance, Hear the Music: Rethinking African Art at the Baltimore
Museum of Art. Munich: Prestel, 2004:127-128.
Clarke, Christa, David Binkley et al. A Personal Journey: Central
African Art from theLawrence Gussman Collection . Purchase:
Neuberger Museum of Art, 2001.
Drewal, John Henry et al. Nine Centuries of African Art and Thought.
New York: Harry N. Abrams Inc., 1989
Glaize, Anita. Personal communication to Marie-Thérèse Brincard,
Neuberger Museum of Art, (October 2007).
Fagg, William, John Pemberton 3rd and Halcombe, Bryce, ed.
Yoruba Sculpture of West Africa. New York: Alfred A. Knopf, 1982.
Harter, Pierre. "Royal Commemorative Figures in the Cameroon Grasslands:
Ateu Atsa, a Bangwa Artist." African Arts XXII.4 (1990): 70-75.
LaGamma, Alisa. Genesis: Ideas of Origin in African Sculpture at
The Metropolitan Museum of Art . New Haven and London: Yale
University Press, 2002.
Lamp, Frederick, ed. See the Music, Hear the Dance: Rethinking
African Art at the Baltimore Museum of Art. Munich: Prestel, 2004.
Lawal, Babatunde. Yoruba Sango Sculpture in Historical Retrospect.
Ann Arbor: University Microfilms, 1971.
Neyt, François. Aux sources du Zaire. Paris: Editions Dapper,1993.
Okediji, Moyo. "Art of the Yoruba." Museum Studies, Volume 23,
No. 2: African Art atThe Art Institute of Chicago. Chicago: The Art
Institute of Chicago, 1997.
Phillips, Ruth B. Representing Woman: Sande Masquerades of theMende
of Sierra Leone. Singapore: UCLA Fowler Museum of Cultural History, 1995.
_____ “Mende Mask.” E-mail to Marie-Thérèse Brincard, Neuberger
Museum of Art. (2 June, 2005).
Roberts, Mary Nooter and Allen F. Roberts. Memory. Luba Art and the
Making of History. Munich: Prestal, 1996.
Ross, Doran, ed. “Palm Cups.” Visions of Africa: The Jerome L. Joss
Collection at UCLA. Los Angeles: UCLA, 1994.
Thompson, Carol A. For this World and Beyond: African Art from
the Fred and Rita Richman Collection. Atlanta: High Museum of Art,
December 18, 2002-May 25, 2003.
Thompson, Robert Farris. African Art in Motion . Berkeley: University
of California Press, 1974.
_____"Bangwa." E-mail to Marie-Thérèse Brincard, Neuberger
Museum of Art. (1 Aug. 2005).
?